Role-playing games usually try to find a balance between world-building and game mechanics, but very few of them try to merge them. Transistor is an intriguing attempt at doing so. At first glance, it uses the same concepts as Bastion, with an ominous narrator, real-time combat and a strong reliance on music for storytelling. But it quickly demonstrates its own individuality.

The story revolves around Red, a singer living in the retro-futuristic city of Cloudbank. Escaping from a murder attempt, she comes into possession of the Transistor, a tremendously powerful sword. With this blade in hand, your goal is to understand the mystery behind it and stop the Process, an army of robots bent on destroying Cloudbank. Confusing in some aspects but very straightforward at heart, the storytelling succeeds in creating a touching experience.

Programming terminology cleverly parallels every game concept and shapes Cloudbank into a unique setting. Music, in particular, is the key of Transistor's identity, tying to Red's character, evolving according to the situation and retelling the story through songs. Needless to say, the soundtrack is gorgeous.

Using an isometric point of view, you guide Red and her huge blueish sword through the gorgeous landscapes of Cloudbank, fighting various units of the Process on your way. Combat is in real time and four functions (special attacks) can be equipped, from quick shots to massive area attacks. The catch is that enemies are fast, possess various types of annoying abilities and some might even respawn.

This is where the Transistor's powers become useful. By activating a power called TURN(), Red can stop time to plan and queue actions in advance. Once ready, your plan is instantly executed and a cooldown starts to use TURN() again.